10 Funny Questions People Ask about Bass Guitar

1. What should I look for when choosing a good beginner bass course?

A good beginner bass course should be logically sequenced and well-organized. The lessons should be arranged from beginner to advanced, describing all the theories and exercises perfectly. A good course mostly depends on the experience of the writer. If the writer has experience in playing, songwriting, teaching, and recording, he/she will know how to teach and organize a course perfectly.

There are no specific songs for beginners, but you should not try to cover heavy metal or progressive rock songs created with fast tempos as a beginner. Of course, with practice, you will be able to play those songs, but it is not the proper learning process. If you hurry as a beginner, you will suffer later in technique; because, firstly, you need to learn proper technique by doing a lot of exercises before moving on to complex songs. I recommend you practice classical songs with easy basslines as a beginner. You will find many beginner songs to practice on YouTube; after learning proper technique, go cover some easy songs you like.

3. What are the potential benefits of learning to play bass guitar for me personally?

Learning bass guitar is no different from learning other musical instruments. It is necessary to learn it properly. A bassist must know the rhythm and melody (produced by guitar or piano) along with beat and tempo (produced by drums or cajon) to create basslines that touch the hearts of listeners. The bassline of a song drives the song to melody. So, you can say bass guitar is one of the decisive instruments in a band or it is the engine of the band. Learning bass guitar will only be beneficial for you personally if you learn it by heart. You will definitely fall in love with it and easily collaborate with other musicians. Gradually, you will become a musician from a bass player. I always say, music will not benefit you physically; music will satisfy your soul.

4. Why do guitarists generally stand while playing electric guitars and not while playing acoustic guitars?

To me, the most important reason is that generally, electric guitarists play in a band where they have to interact with the audience, which is easier when a guitarist is standing. Also, an electric guitarist usually performs songs in rock, pop, or metal genres, where standing provides more energy. On the other hand, most acoustic guitarists perform solo, where they need to stay close to the guitar to control its sound, which is easier when sitting. Sitting also allows them to focus on playing. Besides, an electric guitar is heavier, so it is easier to control by standing and holding the guitar with a strap. But an acoustic guitar is lightweight and larger in size, so it is necessary to keep the guitar close to your body for better control.

5. What do bassists think are the best bass guitars?

Most bassists prefer the following bass guitars:

  • Fender Precision Bass (P-Bass): It is one of the first mass-produced bass guitars that is very friendly for beginners due to its warm and punchy sound. It is a simply made bass guitar, making it popular among beginners.
  • Fender Jazz Bass: It is popular among jazz and funk players. It generally provides a brighter sound but is famous for its versatility due to its dual-pickup, allowing a wide range of tones from mellow to aggressive.
  • Music Man StingRay: It is well-known for its powerful, punchy sound with excess mid and high range. This guitar is preferred by most professional guitarists for its powerful humbucking pickup. It is mostly used in genres like funk, rock, and metal, where a strong, cutting bassline is preferable.
  • Gibson Thunderbird: It is heavier and bulkier, which allows it to produce a deep, growling tone. It is mostly used in genres like rock and metal.

There are other guitars like the Rickenbacker 4003, Ibanez SR Series, and Warwick Thumb, which are popular among musicians. All the guitars have specific characteristics according to the genre.

6. Can guitarists play bass?

Yes, certainly. There are a lot of similarities between guitar and bass guitar. First of all, the string arrangement of guitar and bass guitar is quite similar. Both have the same sequence of strings from the top (E-A-D-G), except for 5-string or 6-string bass guitars. Due to similarity in string arrangement, notes’ distribution on the fretboard is also similar, allowing a guitarist to play bass guitar effectively. However, the role of a guitarist and a bass guitarist in a band is not the same. A guitarist focuses on melody, rhythm, harmony, and playing solos using mid and high notes, while a bass guitarist has to build the foundation of the song along with the drummer by providing harmony with low notes. The most common dissimilarity is the use of a pick. Most bassists prefer to play with their fingers, while guitarists prefer a pick. So, it is sometimes difficult for a guitarist to produce the expected sound on a bass guitar when using a pick. Besides, to play bass and produce quality sound, your hands should be stronger. In my opinion, a guitarist can play bass, but playing effectively is difficult without proper learning.

7. Are almost all bass guitarists former guitarists?

No, I do not think so. There are a lot of famous bassists who do not know how to play guitar or do not want to play guitar. But, of course, former guitarists learn bass very quickly because they already know the grammar and theories of the instrument; by practicing regularly, it is easier for them to play bass effectively. Not only guitar, it is easier to play bass if you already know how to play a string instrument. Sometimes, a guitarist starts learning bass to understand music theories properly. While playing a string instrument like guitar, ukulele, or violin, it is not essential for you to know bass clefs; you only focus on treble clef. If you want to understand music theories properly, you must understand both treble and bass clef.

8. Why are bassists neglected in a band?

Yes, there is a misconception among the audience. Musicians know the value of a bassist in a band. In a song, you feel there is something missing when the sound of bass is not there. It is like salt in the food. Or, it is similar to the defensive midfielder position in football. You celebrate a goal, but no one notices that the ball was distributed from the player in the pivot/defensive midfielder position. Whether you are creating or performing a song, the sound of bass is a must. Like salt in the food, too much sound of bass may drive the song into chaos, and a lack of bass may make the song boring. Only an efficient bass player determines how much sound of bass is necessary to collaborate with other instruments.

9. Would you say that the bass guitar is the least important part of a band?

I would rather say the opposite. Bass guitar is the engine of the band. The word BASS means Bridge Among Guitars, Drums, and Keyboards. That means a bass guitarist needs to construct a bridge among other instruments while performing or creating a song. A bass guitar needs to follow the drum’s beat along with the rhythm and melody of guitars or keyboards. A bass player should have sound knowledge of harmony, rhythm, and timing. To me, bass is the most important part of a band.

10. What questions can I ask an advanced bass teacher?

When meeting with an advanced bass teacher, you can ask questions that focus on deepening your understanding of the instrument, improving your technique, and refining your musicality. Here are some questions you might consider:

Technique and Skill Development:

  1. How can I improve my fingerpicking speed and accuracy, especially in fast, complex passages?
  2. What are some advanced exercises for developing better timing and groove with a metronome?
  3. Can you show me techniques to achieve a more consistent tone across different playing styles (e.g., slap, fingerstyle, pick)?
  4. How do I effectively incorporate double stops and chords into my bass lines without muddying the sound?
  5. What strategies can I use to improve my fretboard knowledge and ability to play across the entire neck?

Musical Theory and Application:

  1. How can I apply advanced music theory concepts like modal interchange or chromatic passing tones in my bass lines?
  2. What are some ways to create interesting and melodic bass lines while maintaining a solid rhythmic foundation?
  3. How do I approach playing in odd time signatures, and how can I develop a better feel for them?
  4. Can you help me understand and use counterpoint in bass playing?
  5. How can I develop better improvisation skills when soloing or playing fills?

Style and Genre Mastery:

  1. What are the key differences in technique and approach between playing jazz, funk, and rock on bass?
  2. How can I develop a signature style or sound that sets me apart as a bassist?
  3. What are some essential stylistic elements to focus on when playing in different genres like reggae, metal, or blues?
  4. How do I adapt my bass lines when playing with different ensembles, such as a trio versus a full band?

Gear and Tone:

  1. How do I optimize my bass setup (strings, action, pickups) for different playing styles?
  2. What are some tips for getting the best live sound with different amplification and effects setups?
  3. Can you recommend specific pedals or effects that are useful for shaping my tone in different musical contexts?

Musicality and Expression:

  1. How can I improve my dynamics and expressiveness when playing bass?
  2. What are some exercises to enhance my ability to lock in with a drummer or other rhythm section members?
  3. How do I approach composing or arranging music from the perspective of a bassist?

Career and Performance:

  1. What are some advanced techniques for recording bass in the studio to get the best sound?
  2. How do I prepare for high-pressure gigs or recording sessions where I’m expected to deliver top-notch performance?
  3. What advice do you have for building a career as a session bassist or band member?

These questions can help you get the most out of your time with an advanced bass teacher, focusing on areas that will challenge you and elevate your playing to the next level.

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